This effect was not achieved with trick photography a team actually hauled the wrought iron beds over three hours from London to Devon and arranged them as seen on the finished design. The cover shows 700 hospital beds placed on Saunton Sands, Devon. The recording heard in the middle of “Learning to Fly” is of Mason talking to an air traffic control tower in his private aircraft (both he and Gilmour became enthusiastic pilots after conquering their mutual fear of flying).Ī Momentary Lapse of Reason is Pink Floyd’s first fully digital recording however, the acoustic drums and bass guitar tracks were recorded on analogue equipment. Most other keyboard parts on the album were played by Carin, Gilmour or Ezrin. Wright can be heard playing on a few tracks, notably “Sorrow”, which features his background vocals. Pink Floyd’s original keyboardist Richard Wright arrived during the sessions, but did not officially rejoin the band due to concerns about his severance contract with Waters (the initial album lists Pink Floyd as consisting of only Gilmour and Mason however, later re-releases add his name). Session keyboardist Jon Carin, whom Gilmour met and played with in Bryan Ferry’s band at Live Aid, went on to collaborate with both Pink Floyd and Roger Waters on subsequent albums and tours. The drum machine, used on “Sorrow”, was programmed by Gilmour. For example, Carmine Appice played drums on “The Dogs of War” while Jim Keltner played on “On the Turning Away” and “One Slip”. Nick Mason felt he was out of practice on drums, and thus many of the percussion parts were either programmed or delegated to others. The most famous of these was Tony Levin (of Peter Gabriel and King Crimson fame), who played bass on most of the tracks. The album was performed largely by David Gilmour and several session musicians. Waters himself described it as “a pretty fair forgery or a good copy” of a Pink Floyd record his most generous appraisal was that the album contained “a few bright moments when I heard something and thought, ‘Well, maybe I’d have done something with that’.” But Waters also commented that to him, Pink Floyd no longer existed. The allmusic review refers to it as a “Gilmour solo album in all but name”. Many fans regard this album a David Gilmour effort, rather than an actual Pink Floyd album. The music press responded with mostly negative reviews of the album (though Rolling Stone claimed it portended “a Floyd with a future”), despite its heavy airplay rotation on video and radio music stations. He then went on to say that by Christmas of 1986 that he had enough confidence to turn the album into a Pink Floyd project. Gilmour revealed on the Shine On and A Momentary Lapse of Reason episodes of In the Studio with Redbeard that it was almost his third solo album as the material initially sounded too weak to be a Pink Floyd album. The recording sessions started in October 1986 as a new David Gilmour project. Richard Wright re-joined the band during the recording sessions for this album, but only as a salaried session musician. ![]() In exchange, Waters dissolved his former management partnership with Steve O’Rourke and gained exclusive rights to some traditional Pink Floyd imagery, including the original flying pig design, almost all of The Wall concept and everything to do with The Final Cut. A bitter dispute with Waters ensued, but Gilmour and Mason eventually settled out of court for the legal right to continue using the name Pink Floyd. Miscellaneous InformationĪfter Roger Waters had declared Pink Floyd ended in 1985, David Gilmour attempted to continue the band together with Nick Mason. It was released in the UK and the rest of Europe on EMI and on Columbia Records for the rest of the world. A Momentary Lapse of Reason is Pink Floyd’s 1987 album, the band’s first release after the departure of Roger Waters from the band in 1985.
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